According to my definition of tragedy, the tragic pathos is born when the perfectly average sensibility momentarily takes unto itself a privileged nobility that keeps others at a distance, and not when a special type of sensibility vaunts its own special charms. It follows that he who dabbles in words can create tragedy, but cannot participate in it. It is necessary, moreover, that the “privileged nobility” find its basis strictly in a kind of physical courage. The elements of intoxication and super-human clarity in the tragic are born when the average sensibility, endowed with a given physical strength, encounters that type of privileged moment especially designed for it.
Mishima Yukio, Sun and Steel (via lambentstar)
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